Kenneth E. Walker Bio: Ken Walker is a lifetime Oregonian and has been a fine art photographer since
1973. College level studies and training have included studio classes at Portland Community College: Drawing, Painting,
Design, and Sculpture as well as related studies in Art History, Drafting, Printing Pre-Press. Related occupational
experience: 4 years as portrait photographer for Olan Mills and five years in printing pre-press. Besides
college studies and job experience, Ken's work as an artist is greatly influenced by his upbringing in the serene environment
of Eastern Oregon. While this has been a major continuing factor underlying his artistic style, an equally important
influence has been a project carried out in the late 70's and early 80's. With the goal of capturing the visual
essence of Urban America, he set out by bus on 4 separate 3-week junkets, packing a 35mm Olympus camera, 2 lenses, and one
change of clothing. Currently Ken is a member of Talisman Gallery in the Alberta Arts District of Portland.
A body of his work will be presented in a group exhibition at Talisman scheduled for July 2010.
The following are some of the concepts in mind as I worked on new images and edited previous images
for my new work (above). These mixed media images can be seen at Talisman Gallery in the Alberta Arts District of Portland,
OR, Friday thru Sunday, 12 to 6. Sources of study are listed below.
Entropy = Diffusion of Energy:
Organized forms of matter gradually disintegrate if no new energy is input....e.g. All of the molecules in a bottle of Dave’s
Insanity Hot Sauce emptied into a 2 gallon pot of chili will, in time, disperse evenly throughout the container. When
uniform distribution is attained, we have Entropy + a nice & spicy dinner. Another example of entropy is seen in the
molecular breakdown of materials--all materials will disintegrate eventually...Nuclear physicists speak of half-lives,
Preachers preach of life celebration and "Ashes to ashes, dust to dust"...And, I've wondered what happens to the
rubber on a tire as it meets the road for 40k miles...But, of course, even rocks and steel wear out eventually, as molecules
disperse.
Syntropy(antonym)= Concentration of Energy, a condition opposite of entropy in which energy is contained,
controlled, or lost energy is constantly replaced. e.g. a city thrives while alive, but would disintigrate eventually
if no new energy were input. Originally Syntropy was considered in terms of the metaphysical. It was an explanation of
the continuing advancement of civilization. It was probably first proposed in '77 by Albert Szent-Gyorgyi. In his writings,
he explains the forces involved in combating entropy--a living being fights the deterioration of aging by being active.
In the poem, The Second Coming by Keats, the concept of syntropy is alluded to for its metaphysical explanation--In
post war Europe he was certain Entropy was going to prevail: Turning and turning in the widening gyre The falcon cannot
hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world,
)))))))))))))Syntropy
& Entropy are demonstrated in this body of work as my original photographic prints are distressed to the point of near
destruction and then are brought back to life by media (new energy) such as oil pastels, colored pencil, and photo oils
enhance the faded image. ))))))))))))))
Syncronicity: a string of concurrent, subliminal, & seemingly
unrelated events is suddenly connected by a serendipitous moment. Call it luck, call it a fluke, call it happenstance, Jung
considered it a phenomena of human life.
Syncronicity is seen in my Mixed Media image, Rules, from the American Indian
Series. An American Indian Chief from the Umatilla tribe walks by a sign at the Pendleton Round-Up. It is a sign that has
been in place at the Indian Village exit for at least 40 years. His people live by the rules of the "white man"
now, but for hundreds, maybe thousands of years, the land was theirs and they answered only to nature and their own polytheistic
gods. A downpour interrupts the American Indian’s moment of reflection on the past. A lean & young Caucasian businessman
runs toward him on his way to the subway. He is protected from nature's wetness by a large umbrella. A briefcase protects
the valuable documents of his daily struggle for wealth. The American Indian continues into the village to his teepee.
He takes comfort in knowing his people have learned the Rules of the "white man". The local casino has provided.
Syntonic: A condition of emotional equilibrium, responsive to the environment. syntonic: The opposite
In this body of work the dynamic forces of nature are explored. Also in mind: time & changes in society--physical,
psychological, and social--and the challenge to deal with them. I am hoping these works will strike an emotional note
in the viewer---or better yet, several notes, harmonic, dissonant, and a few in between. Sources: Wikipedia Websters
Dictionary Jerry Bergman's book on Szent-Gyorgyi's Theory of Syntropy
Historically we civilized humans have tested and challenged the limits of materials and products that we make and
utilize. Both manmade and natural things go through a testing process that challenges their durability. The prime example
might be the human body. We seem to have a basic need for the exhilaration of living on the edge. We challenge the limits
of the human body and thrive on the experience as if the ravages of time and nature were not satisfying enough.
My body of mixed media is a work in progress representing an exploration of this concept. The limits and durability
of materials are challenged. The materials include the double weight fiber photographic paper they are printed on. The paper
is physically manipulated creating a leatheresque texture. This brings to mind the effect of time and nature on the human
face-- an aging process. The various media are applied like make-up and face-work to enhance the weathered image. The media
are sometimes challenged by application and re-application which is necessary due to intermediate water saturation and physical
manipulation.
It is a randomly executed process of trial, error, and experimentation. Sometimes I will distress the paper before exposure
and sometimes, after. There are no rules other than spontanaeity. Some prints don't survive the distress of the challenge,
but at times I have rescued a work from the trash can and attempted to revive it--sometimes successfully!
Yellow Tree & Curtain From the NW Afoot series. This
scene reminded me of a Cristo art project--Construction imitates Art, perhaps, actually. Also, it was interesting to
me that somehow the digital inner workings of my tiny Kodak interpreted the tree trunk as purple in color.
NW afoot Dwelling#1 Ambling west i came upon a nice little neighborhood
of refubished old houses. The sky came out a bit washed out so i selected with the wand and added some evening glow.
NW afoot, Dwelling #2I
enhanced this scene with tight cropping and increased saturation This really made the autumn leaves stand out as the red clashed
with the pinkish bricks. Also, the original shot was a little fuzzy so i sharpened the edges, increased contrast and
gave it some "film grain".
NW Afoot, Dwelling #3 As today's shoot was coming to an end, i nabbed this image just before hopping in the pickup and speeding
away to beat the rush. Later, that day i downloaded the images from my camera and tweaked them a bit in Photoshop before
uploading them to my website. This one was over exposed in the sky, but some overall darkening corrected
it...somewhat.